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Mostrando las entradas con la etiqueta Filmmakers. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Filmmakers. Mostrar todas las entradas
miércoles, 20 de febrero de 2019
miércoles, 11 de octubre de 2017
The fifteenth edition of the Morelia International Film Festival (FICM) is pleased to receive a group of very talented French artists who –in diverse ways– have made their mark in the history of French and international cinema. Among the French actors and filmmakers that will be visiting Morelia as Special Guests are:
Michel Hazanavicius: Actor and director well known for directing the off-beat OSS 117 spy movies and then later for his Oscar winning film The Artist (2011), starring Jean Dujardin and Bérénice Bejo. His most recent film, Redoutable (2017), was part of the Official Selection at Cannes and will have its Mexican premiere at the 15th FICM. Also, FICM will have the honor of presenting the world premiere of the documentary about Michel Hazanavicius by Jean-Pierre Lavoignat and Christophe d’Yvoire.
Barbet Schroeder: Swiss-French director, actor, and producer, he has enjoyed a long and prolific career in film. He worked as Jean-Luc Godard’s assistant and at the age of 23, he and Eric Rohmer founded the production company Les Films du Losange, which produced some of the best movies of the French New Wave. His most recent film, The Venerable W. (2017), was part of the Official Selection at Cannes and will have its Mexican premiere at the 15th FICM.
Laurent Cantet: Director who has won more than 30 awards at the most prestigious film festivals around the world, including: the Palme d’Or at the Cannes Film Festival in 2008 (The Class), the César Award for Best First Feature given by the French Film Academy in 2001 (Human Resources), the Lumière Award for Best Picture in 2009 (The Class) and the prize awarded by the International Federation of Film Critics (FIPRESCI) in 2009 (Time Out), just to mention a few. His most recent film, The Workshop (2017), was part of the Official Selection at Cannes and will have its Mexican premiere at the 15th FICM.
Emmanuel Gras: Documentary filmmaker who prioritizes the visual elements of cinema. He studied cinematography at the École Nationale Supérieure Louis Lumière in Paris. His films address contemporary social issues and are marked by a careful commitment to form. His latest film Makala (2017) won the Grand Prix at the Cannes’ Semaine de la Critique and will have its Mexican premiere at the 15th FICM.
Léa Mysius: After studying literature, she graduated from the screenwriting department at La Fémis in 2014. Her short film Les Oiseaux-ton-nerre (2014) was selected for the Cannes Cinéfondation. She has also written with other directors, notably Arnaud Desplechin. Ava (2017), is her debut feature, it was part of the Official Selection of the Cannes’ Semaine de la Critique and will have its Mexican premiere at the 15th FICM.
Finally, the actor Nahuel Pérez Biscayart will be assisting the 15th FICM to present the Mexican premiere of BPM (Beats per Minute) (2017), by French director Robin Campillo, where he plays Sean, a charismatic figure of Act-Up Paris in the early 1990s. The film won the Grand Jury Prize at this year’s Cannes Film Festival.
The Morelia International Film Festival (FICM) extends its thanks to UniFrance and to the Embassy of France in Mexico por their invaluable help in bringing these extraordinary artists closer to the audience in Morelia.
Michel Hazanavicius: Actor and director well known for directing the off-beat OSS 117 spy movies and then later for his Oscar winning film The Artist (2011), starring Jean Dujardin and Bérénice Bejo. His most recent film, Redoutable (2017), was part of the Official Selection at Cannes and will have its Mexican premiere at the 15th FICM. Also, FICM will have the honor of presenting the world premiere of the documentary about Michel Hazanavicius by Jean-Pierre Lavoignat and Christophe d’Yvoire.
Barbet Schroeder: Swiss-French director, actor, and producer, he has enjoyed a long and prolific career in film. He worked as Jean-Luc Godard’s assistant and at the age of 23, he and Eric Rohmer founded the production company Les Films du Losange, which produced some of the best movies of the French New Wave. His most recent film, The Venerable W. (2017), was part of the Official Selection at Cannes and will have its Mexican premiere at the 15th FICM.
Laurent Cantet: Director who has won more than 30 awards at the most prestigious film festivals around the world, including: the Palme d’Or at the Cannes Film Festival in 2008 (The Class), the César Award for Best First Feature given by the French Film Academy in 2001 (Human Resources), the Lumière Award for Best Picture in 2009 (The Class) and the prize awarded by the International Federation of Film Critics (FIPRESCI) in 2009 (Time Out), just to mention a few. His most recent film, The Workshop (2017), was part of the Official Selection at Cannes and will have its Mexican premiere at the 15th FICM.
Emmanuel Gras: Documentary filmmaker who prioritizes the visual elements of cinema. He studied cinematography at the École Nationale Supérieure Louis Lumière in Paris. His films address contemporary social issues and are marked by a careful commitment to form. His latest film Makala (2017) won the Grand Prix at the Cannes’ Semaine de la Critique and will have its Mexican premiere at the 15th FICM.
Léa Mysius: After studying literature, she graduated from the screenwriting department at La Fémis in 2014. Her short film Les Oiseaux-ton-nerre (2014) was selected for the Cannes Cinéfondation. She has also written with other directors, notably Arnaud Desplechin. Ava (2017), is her debut feature, it was part of the Official Selection of the Cannes’ Semaine de la Critique and will have its Mexican premiere at the 15th FICM.
Finally, the actor Nahuel Pérez Biscayart will be assisting the 15th FICM to present the Mexican premiere of BPM (Beats per Minute) (2017), by French director Robin Campillo, where he plays Sean, a charismatic figure of Act-Up Paris in the early 1990s. The film won the Grand Jury Prize at this year’s Cannes Film Festival.
The Morelia International Film Festival (FICM) extends its thanks to UniFrance and to the Embassy of France in Mexico por their invaluable help in bringing these extraordinary artists closer to the audience in Morelia.
The 15th Morelia International Film Festival (FICM) will have the privilege of counting on Béla Tarr, one of the most important filmmakers in the history of contemporary cinema, as president of the jury of the Mexican Feature Film Section. This is the second time that Béla Tarr attends FICM -–in 2011 the festival had the pleasure of receiving him as a special guest– and this time the extraordinary Hungarian director will be awarded the UNAM Film Archive Medal in Morelia.
Since 1987, the UNAM Film Archive recognizes personalities or institutions that contribute to enriching the film heritage of the world in all aspects, through history, activities, analysis and interventions in the world of cinematography. The medal is a symbolic and artistic work that is made of 99.9% pure silver extracted during the process of developing, restoring and rescuing films within the Film Archive’s labs.
Throughout FICM's history, the UNAM Film Archive has granted this recognition to figures like Abbas Kiarostami, Volker Schlöndorff, Terry Gilliam, Arthur Penn, Juliette Binoche and Willem Dafoe, among others. This year, on the fifteenth anniversary of the festival and the thirtieth anniversary of UNAM Film Archive Medal, it is an honor for both institutions to grant this award to Béla Tarr, whose long trajectory stands out for the power and originality of his films, as well as for his commitment to the education of the next generations of filmmakers.
miércoles, 10 de mayo de 2017
The 64th Sydney Film Festival program was officially launched today by Sydney Film Festival Director Nashen Moodley.
“The Sydney Film Festival is a collection of perspectives from many of the world’s most interesting storytellers, who reflect our shared desire to understand today’s world – from refugees and gender rights, to attitudes about country and community,” said Sydney Film Festival Director Nashen Moodley.
“From the heart of the ancient Pilbara, to the rubble of besieged Aleppo, or messages from the universe delivered 40 years later, filmmakers go to incredible lengths and dedicate many years of their lives to inspire, enlighten and entertain us.”
“A film Festival is the one place where all of these perspectives come together and offer us a temperature reading of the global zeitgeist: of who, what, where and why we are today,” he said.
Sydney Film Festival has gone from strength to strength in recent year, since 2011 attendance has increased by 62% to 178,500 filmgoers. In 2017 the Festival will present 288 films from 59 countries including 37 World Premieres, bringing together hundreds of international and local stories.
Opening and Closing Nights
The 2017 Festival opens with the world premiere of acclaimed Indigenous director Warwick Thornton’s Official Competition contender We Don’t Need a Map, presented by Distinguished Partner, Lexus Australia. Thornton will be in attendance to present his documentary on Opening Night, which investigates Australia’s relationship to the Southern Cross through colonial and Indigenous history to the present day.
Closing the Festival is celebrated Korean director Bong Joon-ho’s Cannes Competition contender Okja, starring Tilda Swinton, Jake Gyllenhaal and An Seo-hyun. Bong will attend the Festival to present his film, which has its world premiere at the 2017 Cannes Film Festival.
Official Competition 10th anniversary
The Official Competition celebrates its 10th anniversary in 2017, marking a decade of awarding the $60,000 cash Sydney Film Prize for audacious, cutting-edge and courageous cinema.
Among the 12 films selected to compete are Warwick Thornton’s We Don’t Need a Map and celebrated Australian theatre director Benedict Andrews’ debut featureUna, starring Emmy-winning actor Ben Mendelsohn.
Also screening in Competition are exciting new works from acclaimed directors Sofia Coppola (The Beguiled), Alain Gomis (Félicité), Michael Haneke (Happy End), Raoul Peck (I Am Not Your Negro), Nana & Simon (My Happy Family), Ildikó Enyedi (On Body and Soul), Aki Kaurismäki (The Other Side of Hope) and Amat Escalante (The Untamed). The Official Competition also features debut features from groundbreaking Afghan woman director Shahrbanoo Sadat (Wolf and Sheep) and Singapore’s Kirsten Tan (Pop Aye).
The winner of the Sydney Film Prize is announced at the Festival’s Closing Night Gala on Sunday 18 June. Previous winners include: Aquarius (2016), Arabian Nights(2015); Two Days, One Night (2014); Only God Forgives (2013); Alps (2012); A Separation (2011); Heartbeats (2010); Bronson (2009); and Hunger (2008).
The competition is endorsed by FIAPF, the regulating body for international film festivals, and is judged by a jury of five international and Australian filmmakers and industry professionals.
Attending the Festival to present the premiere of their films are eight filmmakers and actors: Australian Cannes-awarded director Warwick Thornton (We Don’t Need a Map), Australian Emmy-winning actor Ben Mendelsohn (Una), Hungarian director Ildikó Enyedi (On Body and Soul), French director Alain Gomis (Félicité), actorSherwan Haji (The Other Side of Hope), Mexican director Amat Escalante (The Untamed), Afghan female director Shahrbanoo Sadat (Wolf and Sheep), and Haitian American producer Hébert Peck (I Am Not Your Negro).
Thornton, Mendelsohn, and Peck will also join the Sydney Film Festival conversation for FREE Vivid Ideas talks at the Festival Hub, after the screenings of their films.
THE PROGRAM
The Festival’s diverse film programs promise cinematic treasures to be discovered every day. From the Documentary Australia Foundation Award for Australian Documentary, showcasing 10 outstanding Australian documentaries; to 15 big-ticket films in Special Presentations at The State, presented by Princess Cruises.
There are also 46 feature films, including prize-winners of the world’s most prestigious festivals; and 35 international documentaries tackling essential contemporary topics, from some of the world’s most renowned documentarians.
WORLD PREMIERES + DAFS
World premieres at the Festival include six Australian feature films beginning with Australia Day, Red Dog director Kriv Stenders’ hard look at the frayed edges of Australian society, with an all-star Australian cast (Bryan Brown, Shari Sebbens, Isabella Cornish, Matthew Le Nevez, and Sean Keenan).
Festivalgoers will be the first to see David Wenham’s directorial debut feature Ellipsis, a touching love letter to Sydney; tween feature Rip Tide with leading actress Disney star Debby Ryan; and inventive sci-fi thriller OtherLife from talented Australian director Ben C. Lucas.
Ten documentaries will contest the Documentary Australia Foundation Award for Australian Documentary from Blue - an investigation into the state of the earth’s oceans dedicated to creating awareness and change - to The Pink House, the story of Kalgoorlie’s last original gold rush brothel, told through the eyes of Madame Carmel, 70, and its longest-serving lady of the night, BJ.
Other Australian stories competing include: Barbecue, Connection to Country, Defiant Lives, Hope Road, In My Own Words, The Last Goldfish, PACmen andRoller Dreams.
VIVID Live, Sydney Film Festival and the Australian Chamber Orchestra will present Mountain LIVE, the World Premiere of Jennifer Peedom’s Mountain with live musical score by the ACO, at the Opera House on Monday 12 June, 3:00pm.
Also playing in the Sounds on Screen program is Kriv Stenders’ documentary looking at 1970s Aussie rock-band The Go-Betweens in The Go-Betweens: Right Here.
French romantic comedy Madame, starring Toni Collette and Harvey Keitel, also has its world premiere at the Festival.
FILMS FROM CANNES
The Festival will screen ten films direct from the Cannes Film Festival.
Four films are in the running for the Palme d'Or: Sofia Coppola’s seductive new thriller The Beguiled, starring Colin Farrell, Nicole Kidman, Kirsten Dunst and Elle Fanning; acclaimed Korean director Bong Joon-ho’s Okja starring Tilda Swinton, Jake Gyllenhaal and An Seo-hyun; celebrated German director Fatih Akin’s In the Fadestarring Diane Kruger; and master Austrian director Michael Haneke’s Happy End starring Isabelle Huppert.
Four films coming from Cannes to the Sydney Film Festival are directorial debuts: Sea Sorrow, from 80-year-old Oscar-winning actor and UK based political activist Vanessa Redgrave; Wind River from US screenwriter Taylor Sheridan - starring Jeremy Renner and Elizabeth Olsen; New Jersey story Patti Cake$ from US director Geremy Jasper – which gives Australian actress Danielle Macdonald a breakthrough role; and Brigsby Bear, a comedy with Saturday Night Live’s Kyle Mooney from US director Dave McCary.
Also screening at the Festival from Cannes is Napalm, the latest documentary, set in North Korea, by renowned French filmmaker Claude Lanzmann, now 91, and direct from Cannes Classics, the restored version of Luis Buñuel’s 1967 Belle de Jour.
Two films screening at Cannes are also contenders for the Festival’s Sydney Film Prize: The Beguiled and Happy End.
Attending the Festival to present their films are: Australian actor Danielle Macdonald (Patti Cake$), Korean director Bong Joon-ho (Okja), and Vanessa Redgrave(Sea Sorrow – with the support of Screen Australia’s Gender Matters Initiative). Redgrave will also join film commentator Margaret Pomeranz In Conversation at Sydney Film Festival, for a FREE Vivid Ideas talk at the Festival Hub (Saturday 17 June, 2pm) after the screening of her film.
FEATURES supported By UNSW Faculty of Arts and Social Sciences & special PRESENTATIONS Presented By Princess Cruises
The Festival will present new features from great cinematic storytellers, from prize-winners of the world’s most prestigious festivals, to exciting new works from ground-breaking filmmakers.
Home-grown Muslim comedy Ali’s Wedding, sophisticated romance Call Me By Your Name, set in the Italian countryside, and haunting micro-budget love story A Ghost Story, made in secret starring Rooney Mara and Oscar-winner Casey Affleck made, are among some of the films to screen in the Special Presentations at the magnificent State Theatre, presented by Princess Cruises.
Other feature highlights, supported by the University of New South Wales Sydney include: Terrence Malick’s love story Song to Song, set in the Texas music capital of Austin and starring Ryan Gosling, Michael Fassbender, Rooney Mara, Natalie Portman and Cate Blanchett; Tropfest winner Alethea Jones’ feature debut Fun Mom Dinner starring Toni Collette and Molly Shannon, Cannes Critics’ Week’s closing comedy Brigsby Bear starring Saturday Night Live’s Kyle Mooney; and the exquisite tale of a transgender woman from Chilean filmmaker Sebastián Lelio, Berlin award-winner A Fantastic Woman.
INTERNATIONAL DOCS
Closer to home, The Great Barrier Reef takes centre stage in Sundance winner Chasing Coral, which raises awareness of the dire fate of coral reefs by filming the phenomenon ‘coral bleaching’. Laura Poitras’ follow-up to her Oscar winning Citizenfour is Risk, a portrait of controversial WikiLeaks founder Julian Assange filmed over six years. And also brought to the screen is the story of the Bruce McLaren: the humble New Zealander who became a superstar of Formula 1 (McLaren).
Other highlights include The Farthest, a passionate documentary on NASA’s Voyager space program and the far-reaching probes launched 40 years ago, Grand Jury Prize winner at Sundance Last Men in Aleppo, - a portrait of White Helmet volunteers of the besieged Syrian city of Aleppo, and Sundance award-winning Filipino documentary Motherland filmed in the busiest maternity hospital in the world.
SCREENABILITY
New to the Festival is Screenability, an exciting platform for screen practitioners with disability in partnership with Screen NSW and the NSW Department of Family and Community Services.
Curated by Guest Programmer Sofya Gollan, six cutting edge works will be showcased - features My Name is Emily and Pulse, documentary Lust for Sight, and short films Drumming is Like Thunder, Struck, and The Milky Pop Kid – all by filmmakers with disability.
Filmmakers with disability, Australian Daniel Monks (Pulse), and Switzerland’s Manuël von Stürler (Lust for Sight), will attend the Festival as guests to introduce their screenings. All Screenability filmmaker Q&As and introductions will be Auslan interpreted.
The Festival has also expanded its access and inclusion policy, introducing audio described and open captioned screenings, and a relaxed screening (My Life as a Zucchini) to compliment the Festival’s program - which includes over 90 English-subtitled films.
Festival Venues
Randwick’s iconic Ritz Cinema – celebrating its 80th birthday this year – has been added to the Festival’s wide Sydney footprint, which returns to the State Theatre,Event Cinemas George Street, Dendy Opera Quays, Dendy Newtown, Skyline Drive In Blacktown, Art Gallery of NSW, Hayden Orpheum Picture Palace Cremorne, Casula Powerhouse, SFF Outdoor Screen at Pitt Street Mall, and the Festival Hub at Sydney Town Hall.
The Festival’s outdoor screen, SFFTV @ Pitt St - presented by distinguished partner Princess Cruises - returns to Pitt St Mall. Audiences can catch SFF trailers, red carpet footage and short films on the giant, double-sided screen.
Also screening: an eye-popping international animated shorts showcase curated by the Festival’s Animation Programmer Malcolm Turner, and clips of four films from theNational Film and Sound Archive, along with a selection of vintage Sydney footage.
14 Festival feature films will screen at Randwick’s Ritz Cinema, five at Casula Powerhouse in Sydney’s south west, and 26 at the Hayden Orpheum Picture Palace Cremorne for audiences on Sydney’s North Shore.
LEXUS AUSTRALIA SHORT FILM FELLOWSHIP
For the second year, the Festival’s Lexus Australia Short Film Fellowship will award four filmmakers the largest cash fellowship (AU$200,000 annually) for short film in Australia. On Tuesday 13 June, the four fellows will be announced, selected from 20 shortlisted Australian filmmakers by a jury chaired by actor David Wenham. Once announced the fellows will commence production of their films, which will premiere at the 65th Sydney Film Festival in 2018. The Fellowship is a partnership between Lexus Australia and Sydney Film Festival.
The Festival will also host the world premieres of the 2016 Lexus Australia Short Film Fellowship Fellows: Anya Beyersdorf (How the Light Gets In), Brooke Goldfinch (Outbreak Generation), Alex Murawski (Snow) and Alex Ryan (Red Ink), supported by Lexus Australia.
short film AWARDS
Ten finalists in the Dendy Awards, Australia’s longest running short film competition, now in its 48th year, will also screen over two sessions on 17 and 18 June. Three prize winners: The Dendy Live Action Short Award, The Rouben Mamoulian Award and the Yoram Gross Animation Award, will be announced at the Festival’sClosing Night, together with the Event Cinemas Australian Short Screenplay Award.
EUROPE! VOICES OF WOMEN IN FILM
In partnership with European Film Promotion and Screen International Sydney Film Festival will present Europe! Voices of Women in Film: a program of 10 new films from vital European women filmmakers.
From Ireland to Denmark, and Portugal to Macedonia, Europe! Voices of Women in Film shines a spotlight on emerging women filmmakers who are working to redress gender imbalance in the industry.
The program is enriched by seven industry guests from across the continent, who will introduce their films and take part in a public talk: In Conversation with European Women Filmmakers.
In attendance to present their films to Festival audiences are: Award winning Georgian filmmaker Rusudan Glurjidze (House of Others), acclaimed Irish filmmakers Neasa Ní Chianáin and David Rane (School Life), Swiss actress Rachel Braunschweig (The Divine Order), promising UK filmmaker Hope Dickson Leach (The Levelling) - who was last year awarded the IWC Filmmaker Bursary Award of £50k presented by Cate Blanchett, Macedonian filmmaker Teona Strugar Mitevska (When the Day Had No Name), and Afghan filmmaker Shahrbanoo Sadat (Wolf and Sheep), the youngest ever selected for a Cannes Cinéfondation Residency – at 20 years old.
YOUTH
Since 2016, changes to classification restrictions have made over 50% of the program accessible to audiences 15+. A new Youth Pass introduced this year allows for cheaper tickets for film lovers aged 18-24. Festival films will now cost young people just $72 for a bundle of six-tickets. Tickets for under 18s are just $13.
FAMILY
The Family Films program returns with six films screening at the Festival in daytime sessions over the weekend. Tweens will relish the world premiere of Australian feature Rip Tide, featuring Disney star Debby Ryan, The Sun at Midnight, and My Entire High School Sinking Into the Sea, starring the voices of indie heroes Jason Schwartzman and Lena Dunham.
Kids and adults will love this program equally, designed to bring festival-quality feature-length films suitable for a variety of ages, such as the Oscar-nominated stop-motion My Life as a Zucchini and the superhero crime-fighting adventure Phantom Boy.
ANIMATION
The Animation Showcase returns to the Festival with three special events, curated by specialist Malcolm Turner. Short animated gems from all around the world can be found within the International Animation Showcase, the wicked Animation After Dark Program, and Family Program - curated for younger audiences. Short films for animation fans of all ages will also screen for free at Pitt Street Mall.
SOUNDS ON SCREEN
Sounds on Screen covers everything from Whitney Houston to the Sex Pistols in celebrating the stories of inspiring music and musicians through a selection of six films.
From high-profile documentarian Nick Broomfield’s Whitney 'Can I Be Me', to Red Dog Director Kriv Stenders’ look at legendary Aussie rock-band The Go-Betweens inThe Go-Betweens: Right Here, to a look into the psyche of John Lydon aka Johnny Rotten, the outspoken Sex Pistol punk icon, in The Public Image is Rotten. With talks about music films and rocking parties, music lovers can take the Festival experience to the next level.
THE BOX SET
Also screening first at the Festival are the first two episodes of Wayne Blair and Leah Purcell’s highly anticipated second series of Cleverman returning with its stellar cast: Iain Glen (Game of Thrones), Golden Globe nominee Frances O’Connor (The Missing), Hunter Page-Lochard (The Sapphires), and Rob Collins (The Lion King on stage).
Cleverman’s innovative blend of mythology, futuristic thrills and impressive creatures and effects created by world-renowned Weta Workshop (Lord of the Rings trilogy,The Hobbit trilogy, Avatar) will be seen first by Festival-goers before screening on ABC TV.
ESSENTIAL KUROSAWA presented by The Japan Foundation
The Sydney Film Festival’s retrospective program Essential Kurosawa: Selected by David Stratton, gives audiences a chance to see 10 films by the great Japanese filmmaker Akira Kurosawa - from Rashomon (1950) to Ran (1985) - with specially imported 35mm prints courtesy of The Japan Foundation and Toho Co. Ltd.
RESTORATIONS
Five Restorations will give audiences the opportunity to see other cinema classics the way they were intended.
Three Australian films will screen: The Year My Voice Broke (1987) by director John Duigan starring Noah Taylor and Ben Mendelsohn, psychological drama The Well(1997), starring Pamela Rabe and Miranda Otto, and Pat Fiske’s outstanding 1985 documentary on a NSW union’s past endeavours to preserve Sydney’s parks, neighbourhoods and historical buildings in Rocking the Foundations (1985).
Australian filmmakers Pat Fiske, John Duigan, Samantha Lang and producer Sandra Levy, will present their films at the Festival.
Two international masterpieces restored to be screened at the Festival include: a 20th anniversary screening of minimalist masterpiece Taste of Cherry (1997) by Iranian filmmaker Abbas Kiarostami, together with companion piece: 76 Minutes and 15 Seconds with Abbas Kiarostami (2016), crafted by his friend and collaborator, photographer Seifollah Samadian; and tour de force of erotic cinema, in a new restoration which premieres in Cannes this year, Belle de Jour (1967) starring Catherine Deneuve.
PUNK
Punk fans can get excited by the Festival’s homage to the genre with Smash it Up: Celebrating 40 Years of Punk Rock 1977-2017 curated by programmer Richard Kuipers.
Five explosive films will screen: deliriously demented punk rock fairytale Desperate Living (1977) from the ‘Pope of Trash’ John Waters, satirical fantasy Jubilee (1978), about England on the brink of punk-fuelled destruction, legendary documentary into the LA punk rock scene circa 1980, The Decline of Western Civilization (1981), Julien Temple’s classic 1980 mockumentary The Great Rock ’n’ Roll Swindle (1980) about the rise and disintegration of the Sex Pistols, and The Sex Pistols tell their own story in the same filmmaker’s reply 20 years later in The Filth and The Fury (2000).
A talk on the punk phenomena in Australia - Smash it Up: A Queen’s Birthday Conversation – and Queen’s birthday bash/party featuring Australian band Nancy Vandal, will provide a well-rounded education on the birth of punk.
FEMINISM & FILM
The Sydney women’s movement of the 1970s and ’80s is celebrated under the banner Feminism & Film: Sydney Women Filmmakers, 1970s & ’80s in three showcases: Personal & Political, Disruptive & Deconstruction, and Culture & Collaboration. Nine films (five features and four shorts) made during the era will be screened.
Curated by Guest Programmer Susan Charlton, a selection of bold, stirring, and witty films such as: For Love or Money: A History of Women and Work in Australia(1983), a high point of feminist documentary filmmaking; the formally rigorous, visually lush study of gender and possession, A Song of Ceylon (1985); and two ground-breaking Indigenous documentaries: My Survival as an Aboriginal (1979), and Two Laws (1981); will revive the diverse influences and intentions of the women who made the films.
Women filmmakers from all three Feminism & Film programs will take part in Suffragette City: Sydney, Feminism & Film Discussion Panel, with curator Charlton about Sydney in the 1970s and ‘80s and feminism/s and filmmaking – both then and now.
FOCUS ON CANADA
The Festival in partnership with the Government of Canada presents Focus on Canada: to celebrate its 150th anniversary of Confederation. The Festival will be screening a strong selection of seven Canadian films representing the themes for the anniversary: diversity, inclusion, reconciliation, environment and youth.
The spotlight is firmly on Canada with First Nation films: Maliglutit, a thrilling Arctic version of John Ford’s classic western The Searchers; Angry Inuk, a look at the anti-sealing movement’s adverse impact on Inuit communities; RUMBLE: The Indians Who Rocked the World, a stomping tribute to Native American musicians. Also screening: Maudie starring Ethan Hawke and Sally Hawkins about painter Maud Lewis; Window Horses – The Poetic Persian Epiphany of Rosie Ming; The Sun atMidnight, and Those Who Make Revolution Halfway Only Dig Their Own Graves, alongside a selection of short films.
Four Canadian filmmakers will present the screening of their films: director-animator Ann Marie Fleming (Window Horses – The Poetic Persian Epiphany of Rosie Ming), director Simon Lavoie (Those Who Make Revolution Halfway Only Dig Their Own Graves), director Kirsten Carthew (The Sun at Midnight), and producerChristina Fon (RUMBLE: The Indians Who Rocked The World) together with Apache musician Steve Salas – named one of the world’s top 50 guitarists of all time.
FREAK ME OUT
Sydney Film Festival’s weird, wonderful and completely whacked-out Freak Me Out program, curated by Richard Kuipers, returns with seven twisted films to Event Cinemas George Street, Dendy Newtown; and the Skyline Drive In Blacktown.
Film fans with a taste for the bizarre will be challenged by full-tilt assaults from evil board game thriller Game of Death, killer-virus-bloodbath-meets-
Freak Me Out will also screen its first-ever documentary: Spookers, a look inside the lives of the actors who play killer clowns and zombie brides at the Southern Hemisphere’s largest ‘scream park’, with the New Zealand-based filmmaker Florian Habicht attending the Festival to present his film.
Cult classic Oscar-winning horror comedy An American Werewolf in London, is also playing under the full moon at the Skyline Drive In.
FIRST NATIONS
The Festival together with Screen Australia’s Indigenous Department continues support for First Nation storytelling. The First Nations program will showcase important films by First Nation filmmakers from across Australia and around the world.
Australian First Nation films to screen are: Warwick Thornton’s Opening Night film and Official Competition contender We Don’t Need a Map, two episodes of Wayne Blair and Leah Purcell’s highly anticipated second series of Cleverman, Tyson Mowarin documentary about the battle to preserve Australia’s 40,000-year-old cultural heritage in the Pilbara in Connection to Country, and Erica Glynn’s story of adult Aboriginal students learning to read and write for the first time in In My Own Words.
Four short films and a retrospective screening of two ground-breaking Australian documentaries: Essie Coffey’s My Survival as an Aboriginal, considered to be the first documentary directed by an Australian Indigenous woman; and the 1981 documentary, Two Laws, made by the Borroloola Aboriginal Community, will also screen. As well as two remarkable Canadian First Nations from Focus on Canada: Angry Inuk and Maliglutit.
GOURMET CINEMA
Gourmet Cinema fans can take a culinary and cultural exploration of the barbecue traditions across the globe in Barbecue, by Adelaide filmmaking duo Matthew Salleh and Rose Tucker.
Screenings will be paired with a six-course gastronomic journey to locations explored in the film at The Meat & Wine Co or an exotic South American BBQ at Casula Powerhouse’s Bellbird following a screening at Dendy Opera Quays or Casula Powerhouse; film-only options are also available.
The Festival has once again teamed up with 12 of Sydney’s favourite restaurants in the CBD, Cremorne, Newtown and Randwick, to provide Dining Delights: special gourmet experiences throughout 12 Festival days and nights.
THE HUB
The Festival Hub at Town Hall is a 360 degree Festival experience, with filmmaker talks, panels, parties, contemporary art, and now an forward-looking daily virtual reality (VR) program, curated by the brilliant VR collective BADFAITH.
Open to the public all nights, and select days from 8-18 June, The Hub is also a pop up bar, with all events FREE except the VR sessions. Discount tickets to Festival films ($10) can also be snapped up to selected screenings at the Hub Box Office daily.
Sydney Contemporary’s Barry Keldoulis has also curated the works of four painters: Sam Holt, Jess MacNeil, Rochelle Haley and Ron Adams, to juxtapose the concept of space, using an age-old medium against the backdrop of VR: art’s most recent incarnations.
Foxtel Movies Photobooth will be back in action for Festival snaps.
VIRTUAL REALITY AT THE HUB
Artist Shaun Gladwell and producer Leo Faber from edgy VR content collective BADFAITH have curated a VR program of 13 unflinchingly raw and highly immersive VR experiences across four packages for Sydney Film Festival fans looking for next level engagement. Playful, imaginative and intimate, these works will open minds and expand imaginations with Japanese robots, dance battles on the streets of Sydney, an Antarctic dive, a trip around the earth, and the story of evolution itself.
International and national premieres from the world’s top visual artists and directors including the hit of Sundance, Orbital Vanitas, and the first feature narrative VR,Miyubi, from
martes, 22 de septiembre de 2015
- Sundance Institute Artist Services Workshop offers assistance, knowledge and strategies for financing, marketing and independent distribution.
- The workshop will be held on October 26 at the Teatro José Rubén Romero.
- The event will be free of charge and is open to the public, with prior registration.
The Morelia International Film Festival (FICM), which will celebrate its 13th edition from October 23 to November 1, is pleased to announce Sundance Institute’s Artist Services workshop, an initiative that helps filmmakers navigate in the changing world of independent film without losing the creative control of their projects. Through online resources, live workshops and a network of partner organizations, Artist Services provides assistance, knowledge and strategies for financing, marketing and independent distribution.
Regarding the partnership, Keri Putnam, Executive Director of Sundance Institute, said, “We’re honored and excited to be collaborating with Morelia, a magnet for creators from all parts of the world. We’re looking forward to bringing our workshop Artist Services to Mexico and, with the generous support of FICM, exploring these new models of creative control for producers and filmmakers.”
Since its launch in 2011, Sundance Institute’s Artist Services program has provided directors and producers with a series of intensive workshops throughout the United States. These events offer training, discussions with leaders in the industry and advice on the distribution tendencies and analysis of new technologies. In the past four years, Artist Services has helped more than 200 films reach the digital market. In addition, it has supported more than 300 projects in raising more than 13 million dollars through the Kickstarter crowdfunding platform.
The Artist Services workshop will be held during the 13th FICM on Monday, October 26, at the Teatro José Rubén Romero in Morelia. The event will be free of charge and is open to the public, with prior registration. The confirmed participating experts include the following:
• Janet Pierson, director of Film, South by Southwest (SXSW). Before joining SXSW in April 2008, she spent more than 30 years championing independent films in a variety of roles. Pierson is on The Guardian’s “Film Power 100” and 2013’s Indiewire Influencers List. She regularly serves on panels, festival juries and for agencies including the National Endowment for the Arts (NEA), Independent Television Service (ITVS), British Film Institute (BFI) and Creative Capital. She is currently a member of the Austin Film Society Advisory Board and the University of Texas Press Advisory Council.
• Peter Gerard, content director at Vimeo. He was the founder and director of the production company Accidental Media for 10 years, where he produced and directed a range of documentaries, music videos and short films. He picked up many awards, including a BAFTA Scotland New Talent Award. Gerard also built and is the web master for The D-Word, the premiere online community portal for documentary professionals. In 2013, he won the British Council’s Creative Entrepreneur Award. As a thought leader in digital distribution and marketing, Peter is regularly invited to speak at film festivals, including the Cannes Film Festival and the Sundance Film Festival, and to teach workshops for film producers.
• Ondi Timoner, founder and chief executive artist of Interloper Films. She has won the Grand Jury Prize at the Sundance Film Festival twice – for her 2004 documentary,Dig! and her 2009 documentary We Live in Public. Both films are part of the permanent collection of the Museum of Modern Art in New York (MoMA). Her other award-winning films include The Nature of the Beast(1994), Join Us (2007) and Cool It(2010). Her newest feature doc,Brand: A Second Coming, premiered as the opening night film at SXSW 2015. Ondi is the founder/CEA of Interloper Films and A Total Disruption, a network for entrepreneurs and artists documenting the top thought-leaders driving the current technological revolution. Ondi also produces and hosts BYOD (Bring Your Own Doc), the only documentary talk show in the world. She also produced and directed the original VH-1 series Sound Affectsand has directed music videos for The Pixies, The Jonas Brothers, The Vines, DMC, Lucinda Williams, the Dandy Warhols and OK GO, among others.
• Paul O’Neill, associate director of business development at Premiere Digital Services. He is very involved with Premiere’s online indie filmmaker distribution portal, Quiver, which enables filmmakers to self-distribute onto digital platforms while maintaining control of their rights. In his 3 plus years in the post, O’Neill has helped many global partners to successfully launch more than 1,500 films and hundreds of TV seasons
into digital marketplaces. Prior to working at Premiere, O’Neill held a variety of positions at Paramount Pictures and assisted on projects for 2929 Entertainment.
• Dan Schoenbrun, head of film for Kickstarter. Dan Schoenbrun currently resides in Brooklyn, where he works as the Film Partnerships Lead at Kickstarter. Prior to joining the Kickstarter team, Dan was the Associate Director of Programming at the Independent Filmmaker Project (IFP) and the Associate Editor of FILMMAKER Magazine. Dan has served on programming committees and juries for festivals including the Hamptons, Nantucket, and Slamdance, and has been a panelist at SXSW.
• Andrea Stavenhagen, FICM Industry Coordinator. She began her professional career in the field of film promotion and dissemination collaborating in the Directing of Short Film Production at IMCINE. She went on to become Deputy Director of Research and Dissemination at the Centro de Capacitación Cinematográfica. At the Guadalajara International Film Festival she was head of the Ibero-American Co-production Meeting. She was the Director of Industry with the FICG until August 2013. She also co-directed the Morelia Lab Workshop for Young Producers in Latin America at the Morelia Film Festival. She is currently Industry Coordinator at the Morelia Film Festival and delegate for Latin America for the San Sebastian Film Festival.
• Yissel Ibarra, general coordinator of the new platform FilminLatino. Yissel Ibarra has worked in film production since 1998 as a founding member of AltaVista Films. Her first independent production was God Only Knows, directed by Carlos Bolado. She produced the feature documentaryPresumed Guilty, directed by Roberto Hernandez and award-winning director Geoffrey Smith (The English Surgeon, 2008). She is the associate producer of the documentary Back to Life directed by Carlos Hagerman. She is currently responsible for Strategic Projects of the Mexican Film Institute (IMCINE), where she works with Jorge Sánchez developing and operating new projects. She also serves as coordinator of the new digital platform FilminLatino created in partnership between Filmin Spain and IMCINE.
• Paula Amor, outreach coordinator for the Morelia International Film Festival (FICM). She has worked in this position at FICM since 2010. She and her staff work all year to develop the festival’s communication strategy, content, partnerships, relationship with cultural institutions, websites, mobile apps and the festival’s social media. Before joining FICM, she worked for three years at the Grupo Editorial Expansión. She also worked at Burson-Marsteller, a global public relations and communications company.
• Marco A. García de la Cruz, assistant director at Cinépolis Klic. With more than six years of experience in the entertainment industry and extensive expertise in electronic platforms, mobile apps and digital content distribution, Marco de la Cruz is now the head of Cinépolis Klic, where he faces the challenge of consolidating the platform as the best VOD experience in Mexico. He holds a Bachelor of Science in Computer Systems from the Tecnológico de Monterrey, a Dual Degree of Master of Science in Information Technology from Carnegie Mellon and ITESM. He is currently pursuing an Executive MBA degree (MEDEX program) at IPADE Business School.
• Christine Davila, director of Ambulante California. Christine Davila is the Director of Ambulante California, a 501c3 nonprofit and traveling documentary film festival founded by Diego Luna, Gael García Bernal, Pablo Cruz and Elena Fortes. She has been a Programming Associate at the Sundance Film Festival since 2008, and is the Programmer of Curaçao International Film Festival Rotterdam’s Yellow Robin Award Competition, dedicated to promoting emerging Caribbean filmmakers. Davila tracks Latino films and the festival scene on her blogchicanafromchicago.com, and is a regular contributor to Indiewire’s Latinobuzz.
• Marissa Laney, manager of Artist Services at Sundance Institute. She has guided more than 250 artists through successful Kickstarter campaigns, totaling over $13 million dollars since joining Sundance Institute in 2012, including Sean and Andrea Fine’s Oscar winner Inocente (2012), and Adam Nimoy’s latest documentary,For the Love of Spock, which is the largest documentary to be funded on Kickstarter to date. Laney strategizes with filmmakers leading up to their digital premieres and specializes in organizing their marketing efforts to maximize success. She has presented panels and workshops in institutions such as Sundance Film Festival, Knight Foundation, San Francisco Film Society, IFP and SXSW.
• Joseph Beyer, director of digital initiatives for Sundance Institute. He is responsible for the launch of the Sundance Institute Artist Services Initiative, under the direction of Keri Putnam and the Board of Trustees. Artist Services provides creative funding, distribution, marketing and theatrical support to more than 6,000 Sundance Institute alumni artists. Beyer led the team that developed the first-ever collaboration with crowdfunding leader Kickstarter to provide Institute alumni exclusive training and promotion support in creative funding. More than 300 projects, totaling over 13 million dollars, have been raised through the partnership since its launching in January 2011. Beyer has been with Sundance Institute for 13 years.
For FICM it is an honor to receive these key figures in the film industry in Morelia and provide, together with Sundance Institute, the professionalization of independent Mexican filmmakers. This workshop will permit experts in the new models of financing, circulation and content consumption to share their experiences with the audience and professionals in the industry who meet in Morelia. It will be held at the Teatro José Rubén Romero in the center of Morelia on October 26.
Consult the Artist Services program at the 13th FICM here:http://moreliafilmfest.com/en/programa-artist-services/
Find out more about Artist Services with this link:www.sundance.org/blogs/artist-services
In order to reserve a place it is important to register by sending an email to:artist.services@moreliafilmfest.com
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